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Fiction

A play inspired by the Flint crisis is coming to Kalamazoo this October

The Poisoner, a neo-noir thriller inspired by the Flint water crisis, is coming to Kalamazoo’s Judy K. Jolliffee Theatre for three performances from October 22 through October 24 as part of a seven-city national tour.  Written by first-time playwright M.M. Haney and directed and developed by two-time Obie Award-winning director Lee Sunday Evans, the fictional story follows a journalist who returns to his hometown and begins investigating a water crisis.

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Local theater celebrating Pride Month with anniversary screening of Moonlight

On the film's 10th anniversary, organizers hope audiences recognize its significance. Monoform member Gabe Ybarra described the film not only as an important work of queer cinema, but as a film that belongs within the broader canon of American cinema. “Now more than ever it’s important that theaters of all kinds continue to screen films like Moonlight because representation does matter. It matters on the surface level that queer and non-white people deserve a space in the industry, but on a deeper level we need these kinds of movies because they build empathy. In the same way that watching international cinema can broaden your understanding of the world and introduce you to a culture or entirely different way that people exist, movies like Moonlight can open your eyes to how different existence can be even for the people standing right next to you.”

Making a mess on purpose: Anna Barnhart’s path to art

One of Anna Barnhart’s guiding principles as an artist is to try new things, no matter how ridiculous they might seem. She uses nontraditional tools like Saran Wrap, bubble wrap, spatulas, and even frosting to create textures impossible with a traditional artist’s toolkit. “I’m looking at shapes in general and thinking of new ways of making marks,” Barnhart said. “It’s more about what the subject demands. Bubble wrap is probably really good for dotty things like pebbles or flowers. I look at the general shape, make the mark first, play around with that, and then figure out what might work later.”

From Renaissance motets to Pinocchio, Brandenburg Concert celebrates 36 seasons

Founded by Kurt Brandenburg and Verna Troyer, the ensemble started with a focus on early sacred and secular choral music from the Renaissance era. Over time, the group expanded its repertoire to include works from nearly every musical period. “We began to feature music from basically all periods, literally from medieval to modern,” Brandenburg told Watershed Voice.  That wide-ranging history is central to this year’s program. Brandenburg Concert will present “Our Story” at 4 p.m. this Sunday, May 3 at First Presbyterian Church in Three Rivers.

Local stories hit the big screen at Kalamazoo Film Society’s fourth annual showcase

The event features mostly filmmakers from Kalamazoo and the surrounding region, with films shot in — and in some cases about — the city itself. One of the featured filmmakers, Jerod Kauffman, created a documentary about the final days of the longtime dive bar Harvey’s on the Mall, which closed after a buyout. Kauffman said he wanted to capture the story of a place that helped define Kalamazoo’s nightlife culture. “The closure was sudden to everyone — the community and staff — so I wanted to immortalize a place that was loved by so many,” Kauffman wrote to Watershed Voice. “I saw a fence and bulldozer outside the building today on the way to work. I think it's going to be torn down, so I am happy I was able to capture a piece of Kalamazoo history and the bar that stood and served the community for 40+ years.”

Sturgis Civic Players to present “Anne of Green Gables” March 20–22 at Sturges-Young Center for the Arts

Directed by Elizabeth Smith of Sturgis and adapted from one of the best-selling books in the world, Anne of Green Gables follows Anne Shirley’s journey from a mischievous girl to a young woman, exploring themes of imagination, belonging, and family. This production spans six years of Anne’s life — from her arrival in Avonlea as a 12-year-old to her young adulthood at 18 as she prepares to set out on her own. The production highlights many of the story’s most beloved moments.

Rapid fire film festival Kazoo 48 returns for its seventh year

Designed to introduce people to filmmaking while also challenging experienced creators, Kazoo 48 gives teams 48 hours to complete a short film between one and six minutes long. Each team must incorporate an assigned genre, line of dialogue, character, location, and prop into their film.  Once completed, the films are judged by a panel of local talent. Awards include prizes for best use of an assigned item and the festival’s signature award — a gold engraved kazoo — presented to the best films in both the amateur and professional categories.

Three Rivers High School students to bring the world of “The Little Mermaid” to life onstage

About 35 students are involved in the production this year, director Jennifer Miller said, filling roles both onstage and behind the scenes. Some students perform as actors, singers and dancers, while others manage technical elements such as sound, lighting and props. “What I love is how diverse their contributions are,” Miller wrote. “It’s a whole ecosystem of student talent, and everybody has found a place where they belong.”

NYT bestselling author Shelby Van Pelt to keynote inaugural literary arts festival in Vicksburg

Kimm Mayer, planning committee lead, said establishing the festival is important because “it makes reading and literacy accessible to everybody by introducing people to authors and activities in a fun and relaxed environment.” She added that the festival complements the arts community in Southwest Michigan and could impact literacy in the region while promoting tourism.

Monoform to show ‘Ganja & Hess,’ a pivotal film in Black cinema

Often regarded as a landmark in the history of Black cinema, Ganja & Hess (1973) uses vampirism as a metaphor for “Black assimilation and identity, white cultural imperialism, addiction, desire, and the hypocrisies of organized religion,” Monoform Cinema wrote on its website.

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